Emil Amok Guillermo
San Francisco, CA
Emil Guillermo goes amok as he considers all things in a comic memoir solo show about his father’s colonized past, Harvard, NPR, being married to PETA, and his trans offspring. “Emil Amok” is like John Leguizamo’s “Latin History for Dummies,” only more uniquely American Filipino.
Emil Guillermo is an acclaimed journalist, author, and broadcaster whose influential “Amok” column in AsianWeek, America’s largest English-language Asian American newsweekly, earned widespread recognition for its incisive commentary on Asian American issues. His writings have appeared in esteemed publications such as the San Francisco Chronicle, USA Today, and the Washington Post, showcasing his dedication to social commentary and advocacy. Guillermo made history as the first Asian American male anchor on NPR’s “All Things Considered,” reporting on pivotal events like the Tiananmen Square protests and the fall of the Berlin Wall. With a career spanning television, radio, and print media, Guillermo continues to make an impact through his thought-provoking insights and commitment to civil rights and social justice. He is a recipient of the Dr. Suzanne Ahn Award for Civil Rights and Social Justice from the Asian American Journalists Association. A native of San Francisco and a Harvard graduate, Guillermo’s multifaceted career reflects his passion for storytelling and advocacy.
Orlando Fringe Scarlet Venue
(Orlando Family Stage Rehearsal Studio)
1001 E. Princeton St.
You can buy a button at the Box Offices, Information tables, and the Lawn Merchandise location. Button purchases made online must be redeemed at a Fringe Box Office. The money from buttons goes to the festival operations and you only need to buy it once per person.
100% of all ticket prices are given to the performing artist. So you are 100% supporting the artist you see on the stage.
All shows start on time.
Arrive early to get in line for a seat.
Late entry will not be permitted
and
There are no refunds.
These rules are made by Orlando Fringe.
As a performer, I have no control over them.